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UNDERCOVER 25-YEAR RETROSPECTIVE IN TOKYO

If you find yourself in Tokyo in the next few months be sure to visit the 25-year retrospective of Undercover, called Labyrinth of Undercover, which opened last weekend. We were privileged to get a preview of the exhibit last Friday. The show is divided into several spaces. The first part lets the viewer immerse himself into the videos of Undercover shows. The videos are decidedly low-fi and unedited, so you can spend a lot of time in those rooms getting lost (in the best sense of the word) in the footage.

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Fashion Week Ramblings – S/S 2016

“Nothing,” answered a prominent New York buyer when I asked her what she liked during this past men’s fashion week. While I wouldn’t go this far, the Spring/Summer 2016 season was decidedly mixed. The overarching question, which began forming in my head during the first day of shows in Paris was, “What makes a good collection?” Is it the theme or its execution? Do we look for a designer to tell an interesting story, to interpret a theme worth exploring through clothes, or to produce beautiful, interestingly constructed garments? Ideally, both.

Nostalgia: Undercover at Pitti Uomo

Undercover was the special guest at Pitti Uomo the first time I attended the Florentine fashion fair. I took a video of Jun Takahashi and his team making a Grace doll, which, in the typical, lightly sinister Undercover signature, is made by gutting teddy bears. It was one of the most unforgettable fashion moments and I wanted to share it with you. The phenomenal music was a live performance by Kan Takagi and Atsuhiro Ito. File under nostalgia…

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Fashion Week Ramblings, F/W 2015

Let me get something out of the way – though my writing is critical more often than not, I don’t particularly enjoy blasting fashion. So, it is with a certain elation I would like to report that this past men’s fashion week in Paris was one of the strongest I’ve seen in a while.

For me it began last Wednesday night when Haider Ackermann presented his most convincing collection yet. Everything seemed to coalesce – from the muted but rich color palette to lush fabrics to nonchalant styling. It was presented at the Galleria museum, and the presentation and the clothes were just the right shade of decadence, a fantasy world of the rich and idle whose saving grace is impeccable education and impeccable manners.