We reconnect with the journalist Amy Odell to discuss the problematic legacy of Karl Lagerfeld, the late designer of Chanel, and the new exhibit devoted to his work at the Metropolitan Museum of Art in New York. We try to answer one of the central questions of creativity – can you separate the art from the artist? – and dive into other aspects of Lagerfeld’s life and work.
This year the Metropolitan Museum of Art in New York celebrates – as much as anything can be celebrated in 2020 – its 150th anniversary.
If you cannot make it to the Heavenly Bodies: Fashion and the Catholic Imagination exhibit at the Met Museum in New York, you can still get the accompanying catalog, published by Yale University Press in association with the museum.
Heavenly Bodies: Fashion and the Catholic Imagination, the new fashion exhibit at the Metropolitan Museum of Art in New York is marketed as the biggest one its Costume Institute has put on to date.
If you go to the Met Museum’s Comme des Garçons show, do not leave without buying the accompanying catalog. If you don’t go to the show, buy the catalog. This is as simple of advice as I can give you about this stunning publication by the Met (distributed by Yale University Press). The white, oversized…
One of the several questions that came to me as I was leaving the press preview of the “Rei Kawakubo/Comme des Garçons: Art of the In-Between” show at the Metropolitan Museum of Art was, “Who is this exhibit for?” Or, to reframe it in broader context, what is the role of museums today?
The Metropolitan Museum of Art in New York City has announced that its spring exhibition will be the overview of the work of none other than Rei Kawakubo of Comme des Garcons.
This week the new fashion exhibition “Manus x Machina: Fashion in an Age of Technology” opens at the Metropolitan Museum of Art in New York. It aims to challenge the notion, usually found in the popular imagination, that handwork and machine work somehow exist in the state of opposition.