“It’s all about embodiment in the digital age,” – I overheard at the opening of the Iris Van Herpen’s exhibition at SHOWcabinet, Belgravia’s new installation space curated by Nick Knight’s SHOWstudio project. The man who said it was Tobias Klein, one of the artists whose work accompanies Van Herpen’s in SHOWcabinet. His sculptures shown here include an extract from The Invisible Human, a 3D-printed Magnetic Resonance Image of a human abdomen with aluminium sulphate crystals grown over it in a process that echoes those occurring in the body when it is dying. If this sounds a bit complex, it is because Klein’s work, just like that of most participants’, oscillates between art and science.