TOO FAST TO LIVE, TOO YOUNG TO DIE
There is something peculiar about the fact that punk refuses to die even in the current pop culture landscape that has been thoroughly taken over by vapid commercial music that celebrates everything punk abhorred.
SZ MIX | MATTHEW REEVES
Below is a mix from the photographer Matthew Reeves.
Joy Division, An Oral History by Jon Savage
The story of Joy Division, the seminal English post-punk band, is the story of how light comes from darkness, how meaning gets created out of the dreadful meaninglessness, out of the grime, dirt, and hopelessness of post-industrial city life. It’s the story of searching without help or guidance, of blundering into greatness, of succeeding against the odds the society has stacked against you. It underscores the fact that most great culture does not come from the place of privilege, but out of struggle from the dreadful, suffocating periphery. Marginally, but importantly, especially for contemporary society dominated by cultural troglodytes, it’s a story of how great literature can be a respite, a refuge, and a catalyst for brilliant culture to come out of the unlikeliest of places.
That’s the story you get in This Searching Light, The Sun and Everything Else, the new book by the esteemed English music writer, Jon Savage. The book is billed as the oral history of Joy Division, and it is exactly that. Its 322 pages are comprised of unaltered and unadulterated reminiscences by the people who were in or surrounded Joy Division – Bernard Sumner, Peter Hook, Stephen Morris, Ian Curtis wife, Deborah, the prolific Factory Records and Hacienda co-founder Toni Wilson, the now-legendary art director Peter Saville, who designed that album cover that’s on that t-shirt you wear that you bought at Urban Outfitters even though maybe you haven’t listened to a single Joy Division song in your life, and many others.
What you make of the book will depend on how big of a Joy Division fan you are. Joy Division is a strange band, because its mythology looms infinitely larger than its actual life. This book undoubtedly trades on that fact. What really happened in those couple of years of its existence? What happened before? You get an account so detailed that I don’t think anyone but the bands most obsessive fans would have the patience to sit through minute details of the band’s short life. We get a lot of background on what a shitty city Manchester was, of how its very boredom and nothingness birthed worthwhile culture. We get the nods to Ian Curtis’s talent – and it’s true that there would be no Joy Division without his poetry, which is really what carried the band (love New Order all you want, but compared to Joy Division their lyrics are limp). We get a lot of detail about how crappy the recording equipment was back in the day and how that influenced the Joy Division sound. There is quite a bit on the all-important Sex Pistols show that inspired Bernard Sumner, Peter Hook, and Ian Curtis in that “well, if they c an do it, so can we.” Funny, how we now have Auto-Tune and Garage Band for that.
New Order, Joy Division and Me – Bernard Sumner
New Order, a band that came out of the tragedy that ended Joy Division, is one of those rare acts that have somewhat inexplicably achieved critical acclaim and dance floor popularity. Much ink has been spilled by music journalists to trace the ups and downs of the band over the years. (Former) band members have weighed in – most notably the bassist Peter Hook who has left the band in 2007 and in 2013 released a memoir called “Unknown Pleasures: Inside Joy Division,” documenting the band’s fraught existence and his fallout with Bernard Sumner, New Order’s singer.