Robbie Snelders (1)

Robbie Snelders on Life at Raf Simons

Capturing the nineties moment as a young, skinny, intimidatingly cool, raw, isolated, and underground night rider, Robbie Snelders was in the right place at the right time. Some 20 years ago his life took a dramatic turn and landed him in the then-emerging menswear brand, Raf Simons. He represented then, and still does now, the essence of that era and everything that the brand stood for in its early days. Fashion being the mirror of the zeitgeist and of tendencies within society, Snelders’ style became a trademark for youth culture around the world.

Grailed

Op-Ed: HOW GRAILED IS KILLING THE MENSWEAR AVANT-GARDE

Buying and selling designer clothing by collectors and fashion enthusiasts on the Internet is a longstanding practice. Fashion forums like Supefuture, Styleforum, and StyleZeitgeist, where these enthusiasts tend to congregate are invaluable assets for hunting down that long-coveted piece, called “the holy grail” in the forum parlance. The forums, however, are, first and foremost, places…

London Fashion Week Fall Winter 2016, Day 3

Op-Ed: The Rise of the Fashion Hipster

This past Paris fashion week the young label Vetements headed by Demna Gvasalia was the talk of the town, and their instantly recognizable logoed raincoats and sweatshirts were seemingly everywhere. They were mostly worn by the young, self-conscious, well-informed fashion insiders and were instant fodder for the street-style photographers, who themselves tend to be young, self-conscious, and well-informed.

Instagrammable Fashion

Op-Ed: The Rise of Instagrammable Fashion

It’s no longer news that Instagram has become fashion’s most embraced Internet tool. It has created a myriad of self-made, self-promoting starlets, turbo-boosted the rise of street style photography, and has fashion executives biting their elbows trying to come up with ways to market and sell products on the app. But, perhaps most importantly, it has influenced fashion design itself.

Burberry Prorsum ready to wear fall winter 2015 in london

OP-ED: PUTTING FASHION BACK TOGETHER

These days the fashion press that still bothers writing about fashion is filled with two types of articles. It’s either opinion pieces decrying the broken fashion system, or news about individual designers taking change into their own hands.

Some of the woes befalling the fashion systems, according to the “broken fashion system” articles, is that the stores demand deliveries too soon and put them on sale too soon, and that the fast fashion system produces knockoffs at far cheaper prices and put them in stores before the real stuff hits the racks. Supposedly, the latter necessitates the former, but designers don’t like to be rushed, and the additional stress put on them is the other reason for the fashion system being broken. We have fall clothes filling the racks in the summer, and summer clothes in the winter. Everyone shops on sale.

Gucci – 1

2015 – Gucci, Vetements, and Hype

This year is drawing to a close and a lot has happened in fashion, most of it not so good. I am not talking about the departed: Raf Simons from Dior (good for him), Alexander Wang from Balenciaga (good riddance), and Alber Elbaz from Lanvin (good lord!). I am talking about the arrivistes: namely, Gucci under Alessandro Michele and Vetements under Demna Gvasalia. And not just about them, but about the reaction on the part of the fashion media to their work.

Raf – 1

Op-Ed: Why Fashion Is Not Crashing

Last week Raf Simons left Dior after only three and a half year tenure. Some weeks before that, Alexander Wang exited Balenciaga. Both designers cited the desire to concentrate on their own brands as the main reason for leaving and made the obligatory public statements of gratitude to their corporate employers. But some in the fashion press took the opportunity to voice the old refrain – the fashion system is broken and it needs to be fixed.

geobaskets

Unlimited Edition

It used to be that when a designer showed an item in a particular season and you did not get a chance to buy it, you were out of luck. And if you really wanted it, a hunt ensued. You would call stores in other cities. You would pray that the item would pop-up on Ebay or Yoox in your size, or at your local consignment store. Or you would have to accept defeat.

But as designers have become savvier at business, they realized that if the customer wants something, they should give it to them, again and again. Perhaps they learned the lesson from watching luxury houses fling it-bags season after season with great commercial success. If it could be done with bags, why not with clothes?

ChelseaWolfe-1 – 1

Chelsea Wolfe – Part I

I first met the singer Chelsea Wolfe at an understatedly swank, dimly lit bar in downtown Los Angeles a year ago. The place looked newly minted and was completely empty. Over drinks and small bites Wolfe and her collaborator Ben Chisholm, talked about their work and life in the desert (they recently moved outside of LA). Wolfe’s forth studio album, “Pain Is Beauty,” came out the year before. It was well received by critics and has found her a new audience. Unrelenting, Wolfe was already working on a new album, “Abyss.”