Song for the Mute S/S 2016 – Women’s
We would like to present to you Song for the Mute’s Spring/Summer 2016 Women’s collection campaign.
We would like to present to you Song for the Mute’s Spring/Summer 2016 Women’s collection campaign.
We would like to present to you Song for the Mute’s Spring/Summer 2016 Men’s collection campaign.
This year is drawing to a close and a lot has happened in fashion, most of it not so good. I am not talking about the departed: Raf Simons from Dior (good for him), Alexander Wang from Balenciaga (good riddance), and Alber Elbaz from Lanvin (good lord!). I am talking about the arrivistes: namely, Gucci under Alessandro Michele and Vetements under Demna Gvasalia. And not just about them, but about the reaction on the part of the fashion media to their work.
We would like to present to you Leon Emanuel Blanck’s Spring/Summer 2016 lookbook.
We would like to present to you Individual Sentiments’ Spring/Summer 2016 lookbook.
It’s day three of the StyleZeitgeist book week, where we review the Fall books we think worth your attention. The Belgians: An Unexpected Story: In case you missed the Belgian fashion exhibit, “The Belgians: An Unexpected Story,” at the BOZAR in Brussels earlier this year, you still have a chance to experience it through the eponymous catalog published by the German publisher Hatje Cantz ($60).
We would like to present to you Abasi Rosborough’s latest editorial, ‘The Four Names of Man’, featuring Fall/Winter 2015, shot in Gentry (Brooklyn).
If you find yourself in Atlanta in the next six months, the Iris van Herpen retrospective, currently on view at the High Museum of Art is a must-see. It is the first fashion exhibit at the High Museum and I could not think of a better one to inaugurate what I hope becomes a tradition. Actually, I am sure it will, as the 2,3000-strong crowd that came for the exhibit’s opening left no doubt about where the public attention is channeled today.
Last week we hosted an event for Alexandre Plokhov at Eizenstein in London.
Last week Raf Simons left Dior after only three and a half year tenure. Some weeks before that, Alexander Wang exited Balenciaga. Both designers cited the desire to concentrate on their own brands as the main reason for leaving and made the obligatory public statements of gratitude to their corporate employers. But some in the fashion press took the opportunity to voice the old refrain – the fashion system is broken and it needs to be fixed.