YOHJI YAMAMOTO Men’s S/S23
We would like to present to you Yohji Yamamoto POUR HOMME Spring/Summer 2023 Collection. Photos courtesy of Yohji Yamamoto.
WALTER VAN BEIRENDONCK MEN’S S/S 2023
We would like to present to you Walter Van Beirendonck’s Spring/Summer 2023 Men’s collection. Photography by Matthew Reeves. Images may not be copied without expressed permission.
Y/Project Men’s S/S 2023
We would like to present to you Y/Project’s Spring/Summer 2023 Men’s Paris collection. Photos courtesy of Y/Project.
Rick Owens Men’s S/S 2023
We would like to present to you Rick Owens Men’s Spring /Summer 2023 collection. Photography by Matthew Reeves. Images may not be copied without expressed permission.
Ann Demeulemeester at Pitti Uomo
This year, Ann Demeulemeester is the Pitti Immagine Uomo 102 Guest of Honor, who curated the special project herself at the Stazione Leopolda.
The (Near) Death of Fashion Criticism with Anja Aronowsky Cronberg
On this episode we speak with Anja Aronowsky Cronberg, the founder and editor of Vestoj magazine, a publication that aims to bridge fashion and theory, and a bible for all fashion fanatics with an intellectual bent.
In America: An Anthology of Fashion at the Met Museum
The paramount question, perhaps the only question that can be put to any work of art, or any exhibit of works of art, is whether it succeeds or fails. It is hard to answer that question with regards to the new exhibit by the Costume Institute at the Metropolitan Museum of Art in New York, titled In America: An Anthology of Fashion. The reason for this ambivalence lies in defining what fashion is, and since there is no more agreed upon definition, the answer is largely left to the viewer, and thus you will get a review of this particular viewer guided by his particular definitions.
Fashion Comes for Books
In his 1967 classic critique of late capitalist society, “Society of the Spectacle,” the French philosopher Guy Debord posited that the West has reached a new stage of relations between commodities and people. Whereas before the laboring classes were alienated by capitalism from the product of their labor, now they were also alienated by it from their entire lives, from their surroundings, and most importantly from each other. He posited that during early capitalism the process of alienation occurred only during the workday. Once the factory lights were out the worker could at least go home and engage in his or her communal life. Now, however, leisure time became completely monopolized by what he called “the spectacle,” a mode of life in which fetishization of commodities has “moved the focus of existence… from having to appearing.” If that sounds like Instagram to you, you are not wrong.
StyleZeitgeist Podcast: The Fashion Media Landscape And Its Discontents With Luke Meagher, Mario Abad, and José Criales-Unzueta
On this episode we speak with three young fashion media people – Luke Meagher of the YouTube and Instagram channel Haute Le Mode, Mario Abad, the fashion editor of Paper magazine, and Jose Criales-Unzueta, a regular contributor to I-D, Them and the Business of Fashion about the challenges they face and the problems they see with the current fashion media landscape.
Op-Ed: Fed Up With Fashion? Try This.
“The real issue is that in the fashion business, it’s almost against the law to tell the truth, and anyone who steps behind the silk curtain to show how raw the business is can expect a rough time. Designers go to grotesque lengths to exaggerate their concepts to the press. And the press is just as guilty when it swallows the bait and spews forth huge headlines. The self-importance of our profession is appalling.”
So wrote John Fairchild in his 1989 biography, Chic Savages (quoted in Teri Agins’s book, The End of Fashion). Fairchild being the publisher and editor-in-chief of the Women’s Wear Daily for decades, I see no reason not to believe him. Another reason not to believe him is that over the past ten years I have increasingly come to feel the same.