CAPARA: “TAKE LUXURY AND FUCK IT UP”
Graduates of the prestigious Antwerp Academy fashion program, the Capara sisters have worked with Dries Van Noten, Martin Margiela, and Raf Simons, before launching their eponymous line out of Antwerp.
Graduates of the prestigious Antwerp Academy fashion program, the Capara sisters have worked with Dries Van Noten, Martin Margiela, and Raf Simons, before launching their eponymous line out of Antwerp.
Don’t have weekend plans yet? This Sunday the Belgian designer Dries Van Noten will be speaking at the New Yorker Festival in New York City with the New Yorker writer Dana Goodyear. Tickets are still available at the link below. And, yes, we will be there.
We would like to present to you Dries Van Noten’s Spring/Summer 2018 Women’s Paris collection.
Photography by Eugene Rabkin.
We would like to present to you Dries Van Noten’s Spring/Summer 2018 Men’s Paris collection.
Photography by Eugene Rabkin.
Our take on the Paris Men’s fashion week, with reviews of shows by Haider Ackermann, Rick Owens, Ann Demeulemeester, Boris Bidjan Saberi, Comme des Garcons, Yohji Yamamoto, Dries Van Noten, Sacai, Lanvin, and Thom Browne.
We would like to present to you Dries Van Noten’s Fall/Winter 2017 Women’s Paris collection.
Photography by Julien Boudet.
We would like to present to you Dries Van Noten’s Fall/Winter 2017 Men’s Paris collection.
Photos courtesy of Dries Van Noten.
We would like to present to you Dries Van Noten’s Spring/Summer 2017 Women’s Paris collection.
Photography by Julien Boudet
Dries Van Noten Spring/Summer 2017 Men’s collection, Paris.
A little over two years ago Ann Demeulemeester announced her retirement from her signature label. After the initial shock subsided, the question of succession inevitably came up. That’s when Sebastian Meunier, a Parisian designer who has had a long tenure at Margiela before joining Ann Demeulemeester, stepped out of the shadows. Meunier spent two years at the label before Demeulemeester’s departure and has worked closely with her. But the big question remained; how could anyone fill the shoes of a designer whose style was so clear and who was so inextricably linked to her label? In other words, could there be Ann Demeulemeester without Ann Demeulemeester?