Andrey Tarkovsky: Life and Work

Decades after his death, with only seven feature films under his belt, Andrey Tarkovsky remains the greatest film maker Russia has produced, under Soviet Union and thereafter, both in the collective critical film imagination, and probably in fact. His films were so multifaceted – from the stunning cinematography to the philosophical dialogue that always centered on the same question – what it means to be human – that to unpack their sheer elegiac sweep of his films requires a book.

Paolo Roversi at the Pace/MacGill Gallery

Paolo Roversi is one of those photographers that tends to frustrate you not because he is bad, but because he is do damn good. Roversi has been responsible for some of the most iconic imagery from Comme des Garcons and Yohji Yamamoto, and more than a few memorable portraits and fashion editorials. Along with Sarah Moon and Deborah Turbeville, he has managed to make fashion photography transporting, taking you to a place that’s quieter, more contemplative, more intimate. The frustration comes from the lack of avenues to experience his sensual, touching work. There are few books that capture his output, and there are few exhibits. In 2005, when I was just starting to write and I scarcely new his work I had a chance to review his Studio book, published by Steidl. I passed on it, and I still kick myself for it. You can now get it on Amazon, for $600.