Culture

STUDIO KO

Chances are you have not heard of Studio KO unless you keep a very close ear to the ground when it comes to architecture.

Chances are you have not heard of Studio KO unless you keep a very close ear to the ground when it comes to architecture. Actually, you probably have seen their work without knowing who designed it, if say you ever had a drink at the Chiltern Firehouse, the impossibly posh Andre Balazs hotel in London’s Marylebone. And if you need to wash off the posh from your skin, you may want to walk a few blocks to the Aesop store in Marylebone High Street, also designed by Studio KO.

KO, by the way, stands for Karl Fournier and Olivier Marty, the French co-founders of the firm (they are also a couple). Their latest coup d’état is designing the Yves Saint-Laurent museum in Marrakech, which you actually might have heard of if you are a fashion person. The museum, with its red brick and overall desert color scheme in many ways epitomizes Studio KO, many of whose projects have been done in Morocco in color tones that seamlessly blend in with their surroundings.

The audience of Studio KO is about to expand now thanks to the new monograph on their work from Rizzoli. It’s a nice one-two punch of French interior design from the publisher, following a book on Joseph Dirand.

The oversized cloth-bound tome clocks in at 240 pages. Its 150 color photographs span only a handful of projects, all private residences, with the exception of the YSL museum. This seems characteristically modest of the duo (why not Chiltern Firehouse or Aesop?). This modesty also flows through the book’s introduction, in which Marty is quoted saying, “Carte blanche is the death of everything.”

The residences Studio KO has designed are unassumingly named “Villag G, Villa K” and so on. The villas are austere, rigorous, almost ascetic in their beauty. If brutalism can be rustic, that would be it. They favor stone over concrete, which I am beginning to welcome. Every interior seems to be lived in, despite being sparse. Few things over many, texture as ornament, earthy color palette, water – the kind of unfussy beauty that brings peace to one’s mind. I’ll take it.

______________

Studio KO, Rizzoli New York ($75)

All photos by Tom Delavan, courtesy of the publisher.

Chances are you have not heard of Studio KO unless you keep a very close ear to the ground when it comes to architecture.
Chances are you have not heard of Studio KO unless you keep a very close ear to the ground when it comes to architecture.
Chances are you have not heard of Studio KO unless you keep a very close ear to the ground when it comes to architecture.
Chances are you have not heard of Studio KO unless you keep a very close ear to the ground when it comes to architecture.
Share
Eugene Rabkin

Eugene Rabkin is the founder of stylezeitgeist.com. He has contributed articles on fashion and culture to The Business of Fashion, Vogue Russia, Buro247, the Haaretz Daily Newspaper, and other publications. He has taught critical writing and fashion writing courses at Parsons the New School for Design.

Recent Posts

Book Review: Madame Grès Couture Paris

Madame Grès Couture Paris, recently published by Rizzoli, is the latest book by fashion historian…

Nov 1, 2024

Op-Ed: Why There May Never Be Another McQueen

Speak to fashion enthusiasts today, and they will tell you how impoverished today’s fashion has…

Oct 23, 2024

THE STYLEZEITGEIST GUIDE TO LONDON: 2024 EDITION

In any other year I would probably be in London today. Think of this guide…

Oct 22, 2024

Phoebe Philo Collection B

We would like to present to you Phoebe Philo's "Collection B" Images courtesy of the…

Oct 15, 2024

Peter Hujar Behind The Camera And In The Darkroom

Gary Schneider arrived in New York City from Cape Town in 1976, landing a job…

Oct 15, 2024