Undercover S/S16 – Paris
We would like to present to you Undercover’s Spring/Summer 2016 Women’s collection.
Ann Demeulemeester S/S16 – Paris
We would like to present to you Ann Demeulemeester’s Spring/Summer 2016 Women’s collection.
Rick Owens S/S16 – Paris
We would like to present to you Rick Owens’ Spring/Summer 2016 Women’s collection.
Aganovich S/S16 – Paris
We would like to present to you Aganovich’s Spring/Summer 2016 Women’s collection.
Anrealage S/S16 – Paris
We would like to present to you Anrealage’s Spring/Summer 2016 Women’s collection.
Chelsea Wolfe – Part II
ABYSS – with Chesea Wolfe. Shot on the Red Hook waterfront in Brooklyn, New York. Photography – Ellinor Stigle, Styling – Eugene Rabkin, Hair – Nero (Yuhei Nerome), Makeup – Takahiro Okada, Photo assistance – Melissa Lopez-Leach | Styling assistance – Jenni Hensler & Patrick LaDuke
Thom Browne S/S16 – Backstage
We would like to present to you Thom Browne’s Spring/Summer Women’s collection backstage.
GUIDI Event
On Monday we hosted GUIDI’s inaugural edition of IN SITU, with work by artist Laurent Segretier.
Lumen et Umbra – F/W 2015 Preview
We would like to present to you the Fall/Winter 2015 collection preview by Lumen et Umbra.
Why Fashion And Politics Need A Divorce
Last week marked the fourteenth anniversary of 9/11, a tragedy that radically changed the political landscape of the world. There were memorial services held in New York and across the United States. The Givenchy Spring/Summer 2016 show was another unlikely place where 9/11 was invoked. The show was held at pier with a view of the new Freedom Tower, and was art-directed by Marina Abramovic. The presentation was supposed to pay respects to 9/11 and celebrate the spirit of human unity. The entire thing – from having an Italian designer who works for a Parisian house preaching to New Yorkers to Givenchy offering special guests tours of the 9/11 memorial – was tone-deaf, if not insulting. There was not a shred of the political in the clothes he presented, making the show’s art direction even more jarring as mere trappings.