m.a+ Editorial: 15th Anniversary
“The use of Japanese historical fabrics on our 15th anniversary has a meaning of gratitude to the sophisticated taste of the Japanese culture that gave me so much inspiration throughout the years” -Maurizio Amadei
“The use of Japanese historical fabrics on our 15th anniversary has a meaning of gratitude to the sophisticated taste of the Japanese culture that gave me so much inspiration throughout the years” -Maurizio Amadei
We would like to present to you Y’s by Yohji Yamamoto’s Fall/Winter 2020 Women’s lookbook.
Editor’s Note: This article was originally published in 2011 in the first print issue of the short-lived Sebastian magazine from London’s Hostem boutique. I thought it deserves a wider audience, so I decided to reprint it with permission. I made nominal changes, but its 2011 version, including the images, is pretty much preserved. ———————————————————————————————– The…
I am straight. This must be stated for the purpose of this article, because it’s about my history of buying women’s clothes.
We would like to present to you previously unpublished images of Thom Browne’s Spring/Summer 2014 Women’s runway collection.
“I believe in the power of clothes just as much as I believe in the power of photography,” so goes the opening of a short essay by the revered Japanese fashion photographer Takay in the new book of photography devoted to the work of Yohji Yamamoto.
We would like to present to you Sacai’s Fall/Winter 2020 Women’s Paris collection backstage.
We would like to present to you Geoffrey B. Small’s Fall/Winter 2020 Women’s collection “freeze frame”.
We would like to present to you Noir Kei Ninomiya’s Fall/Winter 2020 Women’s Paris collection backstage.
Several days ago we learned of the passing of the milliner and hairdresser Katsuyo Kamo. He was one of the most creative and sought after collaborators, working with Undercover, Junya Watanabe, Anrealage in Japan, and Europeans like Haider Ackermann, Chanel, and Fendi. His incredibly headpieces were especially indispensable to the image-making at Undercover, whose designer Jun Takahashi counted Kamo as a friend.