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Berlinde De Bruyckere

The hard-hitting, ruptured, scarred, molten, carnal sculptures of the Belgian sculptor Berlinde De Bruyckere await those of you who will be in London and/or Ghent this winter.

De Bruyckere’s show, “Met tere huid/Of tender skin,” comprised of gorgeous (and intestinal) wax, leather, cloth, rope, iron and epoxy resin hanging wall sculptures, drawings, and hulking encaustic and wood sculptures are up at Hauser & Wirth in London for a couple of more weeks, while a 100-plus piece mid-career retrospective is on at S.M.A.K., Ghent through the middle of February.

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Goya: Versatility & Vertigo

If by mixing works from different periods and media the curators of Boston’s Museum of Fine Arts exhibit Goya: Order and Disorder strived for their viewers to appreciate the artist’s versatility, their efforts have surpassed their mark.

With 170 paintings, prints, and drawings occupying eight thematically categorized rooms, the display is diverse and comprehensive. In fact, the exhibit showcases Francisco Goya’s range of traditional court portraiture, whimsical prints, and etchings depicting the devastating effects of war so expertly that it makes you wonder how such multifacetedness can stem from one artist.

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Barry X Ball: Masterpieces

An exhibition of work by the sculptor Barry X Ball opens today in Stockholm at McCabe Fine Art, serendipitously for us as we are currently preparing a lengthy profile of the artist based on a recent studio visit to be published soon. The last time Ball showed in Sweden was in 1993, so the McCabe Fine Art exhibition is an opportunity for Ball’s fans to access his work in person and for the minting of new fans among those new to Ball’s work. And access in person you should if you can.

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David Bowie Is

“The Medium is the Message” – Marshall McLuhan

The iconic quote above epitomizes David Bowie Is, the new exhibit currently on show at the Museum of Contemporary Art in Chicago about the English singer who gave birth to glam rock in the early 70s and has become an indispensable fixture of pop culture.

The exhibit’s official text bills Bowie as “one of the most pioneering and influential performers,” either a tacit or an unwitting acknowledgment that he was neither a particularly gifted musician or lyricist. But, he was an unrivaled image-maker and storyteller who very early on in his career realized that appearance is an indispensable part of being a pop musician. Hence, his frequent metamorphosis and meticulous attention to the finest details of imagery.

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Yamamoto & Yohji

Today, Rizzoli is releasing a new monograph on the Japanese fashion designer Yohji Yamamoto (YAMAMOTO & YOHJI, Rizzoli, $115). It is a road well-travelled, as there is already a slew of books on Yamamoto – from the collectable Talking to Myself to the forgettable “best hits” pamphlets by the publishers Taschen and Assouline.

The new volume contains 600 photographs and contributions by long-time Yamamoto’s famous friends, including the French actress Charlotte Rampling and the German filmmaker Wim Wenders. It is a hefty, cloth-bound tome, its 448 pages printed on thick matte paper, as it should be, since once cannot imagine anything glossy (read, vulgar) in the Yamamoto world. The cover is red and black, the two signature Yamamoto colors.

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Ann Demeulemeester Book Signing

Last night the designer Ann Demeulemeester was signing her new monograph at Barneys in New York City. With her was her lifetime friend the singer Patti Smith, who cosigned the book and gave an intimate, heartfelt performance for the crowd of Demeulemeester’s diehard fans.

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Egon Schiele: Rude Nude

‘Tis a Schiele season. In New York one can head to Neue Gallery for a glimpse of what the Austrian modernist painter Egon Schiele made out of clothed bodies. Meanwhile, in Zurich’s Kunsthaus, there is another show where Schiele’s work is displayed alongside that of YBA Jenny Saville’s, exploring their common approach to the naked body. The nudes continue in London’s Courtauld Gallery.

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Ann Demeulemeester Monograph

Today, the publisher Rizzoli released a long-awaited monograph on the Belgian fashion designer Ann Demeulemeester (Rizzoli, $100). The book is an exclamation point in the last sentence of Demeulemeester’s career, which is a long novel in itself. When we met in Antwerp this April, Demeulemeester just sent off the final draft to the publisher, and she spoke of it as if it was the perfect closure to her body of work in fashion.

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Zola Jesus

I first met the singer Zola Jesus, whose real name is Nika Roza Danilova, this September in New York. She was wearing a black dress with a high collar that formed a dome at the back of her head. It resembled something from another era and a place that has little in common with our modern society.