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ZERO

It’s day two of the StyleZeitgeist book week, where we continue to review our favorite Fall art books. ZERO (Walther Konig, $60) is a comprehensive book on the eponymous mid- 20th Century international art movement, which was largely forgotten for a while, but has recently had a major resurgence. Major dealers/collectors like Axel Vervoordt have been championing the ZERO artists like Lucio Fontana and Gunther Uecker for a while now, and last year the Guggenheim museum has held a major ZERO retrospective.

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Hiroshi Sugimoto: Seascapes

It’s StyleZeitgeist book week! We wanted to take a break from fashion and delve into another aspect of culture we love – art books. This week, each day we will highlight a recent release we thought worth your attention. The Japanese photographer Hiroshi Sugimoto is no stranger to processing the analytical into the visual, and in meditating on a subject. His new book, “Hiroshi Sugimoto: Seascapes” (Damiani, $70), is a prime example. The 274-page tome contains a series of 220 photographs of various bodies of water – the Altantic, the Pacific, the Sea of Japan, among others – taken by Sugimoto over the course of thirty years. Some of the photos are being reproduced for the first time.

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Iris van Herpen Exhibit in Atlanta

If you find yourself in Atlanta in the next six months, the Iris van Herpen retrospective, currently on view at the High Museum of Art is a must-see. It is the first fashion exhibit at the High Museum and I could not think of a better one to inaugurate what I hope becomes a tradition. Actually, I am sure it will, as the 2,3000-strong crowd that came for the exhibit’s opening left no doubt about where the public attention is channeled today.

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Axel Vervoordt’s Universe

I first came across the work of the Belgian art collector-dealer-interior-designer-manufacturer-real-estate-developer Axel Vervoordt when I reviewed his 2011 book, “Wabi Inspirations.” I was struck by how the interiors Vervoordt conceived reflected the beauty of simplicity, decay, and aging that are championed by the Japanese aesthetic of wabi-sabi. It was not anything I expected from a major European collector, raised on Louis XIV furniture and antiquaries, whose roster of clients includes major celebrities and the old-time aristocracy.

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UNDERCOVER 25-YEAR RETROSPECTIVE IN TOKYO

If you find yourself in Tokyo in the next few months be sure to visit the 25-year retrospective of Undercover, called Labyrinth of Undercover, which opened last weekend. We were privileged to get a preview of the exhibit last Friday. The show is divided into several spaces. The first part lets the viewer immerse himself into the videos of Undercover shows. The videos are decidedly low-fi and unedited, so you can spend a lot of time in those rooms getting lost (in the best sense of the word) in the footage.

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Chelsea Wolfe – Part I

I first met the singer Chelsea Wolfe at an understatedly swank, dimly lit bar in downtown Los Angeles a year ago. The place looked newly minted and was completely empty. Over drinks and small bites Wolfe and her collaborator Ben Chisholm, talked about their work and life in the desert (they recently moved outside of LA). Wolfe’s forth studio album, “Pain Is Beauty,” came out the year before. It was well received by critics and has found her a new audience. Unrelenting, Wolfe was already working on a new album, “Abyss.”

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Alexey Titarenko: The City Is A Novel

One of the defining qualities of photography is that it can cast the familiar in a different light, to make you look again. The photos in Alexey Titarenko’s new book The City Is a Novel (Damiani, $60) do just that. Titarenko’s signature style is a washed out grayscale that recalls early platinotypes. If you lived in the Soviet Union, as did Titarenko (and I), you would understand where the grayness comes from. Everything in the Soviet Union seemed gray, reflecting the drabness in the water supply, from the country’s soul to its streets.