Black Celebration
Please join us for our Black Celebration party with Boris Bidjan Saberi New York.
Please join us for our Black Celebration party with Boris Bidjan Saberi New York.
To the rather inelegant but often-asked question, “Who is your daddy?”, modern sculpture can assuredly answer, “Constantin Brancusi.”
The Swiss sculptor Alberto Giacometti, who spent most of his working life in Paris, is by now widely considered to be one of the most important artists of the 20th Century.
When it comes to Communist countries, their image in aesthetic terms is uniformly bleak.
It is no news that museums have been staging fashion exhibitions left and right in order to prop-up the numbers of museum goers and stay (pop)culturally relevant.
At the beginning of “McQueen,” the mostly polite, deferential documentary on Alexander McQueen, the designer says off camera that he does not care what others think, and that his creativity depends on his honesty.
The Dutch artist Maurits Cornelius Escher is a bit of a strange figure. Not exactly a mainstay of art history, certainly outside of the main art movements of the 20th Century, he is not known for any grandiose statement or gesture or a moment-defining work.
Iris van Herpen: Transforming Fashion is now on display at the Royal Ontario Museum complimented by the installation Philip Beesley: Transforming Space.
Heavenly Bodies: Fashion and the Catholic Imagination, the new fashion exhibit at the Metropolitan Museum of Art in New York is marketed as the biggest one its Costume Institute has put on to date.
The prolific artist and sculpture Barry X Ball, a recurrent figure of our art reportage, has announced The End of History, a retrospective of Ball’s work from 1982 to today.