Nan Goldin: The Other Side
Over the past fifty years the photographer Nan Goldin has become the poet of the marginalized.
Over the past fifty years the photographer Nan Goldin has become the poet of the marginalized.
Reflection (Self-portrait), 1985. Oil on canvas, 55.9 x 55.3 cm. Private collection, on loan to the Irish Museum of Modern Art Self-portrait, c. 1956. Oil on canvas, 61 x 61 cm. Private collection Lucian Freud is undoubtedly one of great artists of the 20th Century. He was a master of portraiture, and along with the…
The acclaimed Japanese photographer Hiroshi Sugimoto begins his introduction to his new book by recounting his experience of 9/11
If you wanted to visit Paris before mid-January this year, you’ll find no better reason than the new Francis Bacon exhibit at the Centre Georges Pompidou.
From Richard Serra’s New York City hat trick this autumn at Gagosian, I have only seen the Chelsea sculpture shows, Reverse Curve and Forged Rounds (Triptychs and Diptychs are up at Madison Ave).
If you find yourself in Tokyo in the next month and don’t go to the expansive exhibit of Chiharu Shiota at the Mori Museum you will have no one to blame but yourself.
How I missed the existence of RAYGUN magazine during my formative years is beyond me. The California-based music and style periodical was launched in 1992, the same year I immigrated to the United States and began immersing myself in American pop culture. It covered every great rock act under the sun – from Iggy Pop to Sonic Youth, from Morrissey to Marilyn Manson, from R.E.M. to Nine Inch Nails, and so on.
Looking at the new compendium tome from Rizzoli, RAYGUN: The Bible of Music and Style, put together by Marvin Scott Jarret, the magazine’s founder, fills me both with hope and dread for the state of the print magazine industry. Because RAYGUN was as forward-thinking in its visual representation as it was in its content. No magazine I can think of took the adage “the medium is the message” as seriously as RAYGUN did. Its innovative treatment of fonts, graphics, page layout, format is truly peerless. None of this can be replicated on the Internet.
For the followers of art and design May in New York is a busy month. There are art fairs, design fairs, the Met fashion exhibit, and a myriad of events. Before long, the entire thing starts resembling your social media feeds – colorful, bubbly, but ultimately quite tiring and unfulfilling. You long for a quiet corner of the world where your brain can get back into a contemplative mood. The new exhibit of Deborah Turbeville’s photography at Deborah Bell’s gallery on the Upper East Side is just the ticket. It is an intimate show of intimate photography in an intimate setting. By god, it is restful!
It should come as no surprise that Rick Owens has decided to collaborate with another musical artist on a joint art project, albeit this time around it will be a full fledged exhibition with the Estonian rapper Tommy Cash.
In 2015, Damiani published a book of seascape photography the prolific Japanese photographer Hiroshi Sugimoto.