Yesterday, Thomas Tait, the young, Canadian born designer based in London, presented an installation at Pitti Uomo in Florence. Until last year, when he won the LVMH prize for young designers, Tait’s talent was roundly unappreciated; and even yesterday the shy designer looked as if he still wondered what happened and how he ended up…
The Belgian artist Berlinde De Bruyckere is famous for her striking sculptures of wax and epoxy that resemble flesh in all its disfigured, vulnerable glory. She has been making these since the 1990s, but there has not been a definitive monograph of her work until now.
Two weeks ago the latest of Rei Kawakubo’s protégés, Kei Ninomiya, was in New York to present a preview of his Fall/Winter 2015 collection for the “noir by kei ninomiya” line that he helms under the Comme des Garcons umbrella.
Postpunk and goth are two subcultures that came and went without a bang – amorphous, indefinable, unbracketed. There was something, and its elements were clear enough to see, but to make a structure of the thing was futile. And that is exactly the way the scene liked it.
This week at the Collective Design Fair the Polish-born, Chicago-based interior designer Lukas Machnik is presenting an array of furniture and objects from Rick Owens, Parts of Four, Lonney White III, and Phoebe Knapp.
Last week, the latest protege of Rei Kawakubo, Kei Ninomiya, was in New York to present his F/W 2015 collection of noir by kei ninomiya at the Comme des Garcons Chelsea flagship. Below are the photos from the event and the pieces are available for pre-order.
Undercover was the special guest at Pitti Uomo the first time I attended the Florentine fashion fair. I took a video of Jun Takahashi and his team making a Grace doll, which, in the typical, lightly sinister Undercover signature, is made by gutting teddy bears. It was one of the most unforgettable fashion moments and I wanted to share it with you. The phenomenal music was a live performance by Kan Takagi and Atsuhiro Ito. File under nostalgia…
It is no big secret that “perfume” is a bit of a dirty word in fashion. Often, it is seen, not without justification, as an easy way to make money by capitalizing on one’s brand name. The typical arrangement is to license out one’s name to a big perfume conglomerate, tell them what you want it to smell like, and sit back while the money rolls in. A successful perfume can be immensely profitable. Thierry Mugler, to take one example, has not designed a garment in decades, but his enormously successful perfume “Angel” has made him a millionaire many times over. All you need is a brand name and a good formula. It is no wonder then that every newly minted fashion designer and celebrity is eager to sign a perfume deal.
One day, back in the 80s, the German filmmaker Wim Wenders saw pictures of the Brazilian-born photographer Sebastiao Salgado at a gallery in Los Angeles. He was so impressed that he bought two prints on the spot. Since, Salgado has quickly become his favorite photographer. Wenders continued to follow his work, and one day, being who he is, Wenders decided to simply knock on Salgado’s door.
This past January during the men’s fashion week in Paris I, as is my habit, visited the showroom of forme d’expression. The label, which recently celebrated its tenth year anniversary, is designed by Koeun Park, who quietly works in Perugia, Italy on her men’s and women’s collections.