Eugene Rabkin is the founder of stylezeitgeist.com. He has contributed articles on fashion and culture to The Business of Fashion, Vogue Russia, Buro247, the Haaretz Daily Newspaper, and other publications. He has taught critical writing and fashion writing courses at Parsons the New School for Design.

Deborah Turbeville at Deborah Bell

As you might know if you follow the output of this magazine closely, the photographer Deborah Turbeville holds a special place in our hearts. I interviewed her for the second print volume of this magazine, and we published the profile posthumously on our website, with a slew of original photographs of her apartment. So, I was delighted to see a new exhibit of her photographs in New York, in the gallery of Deborah Bell, no less.

Wonderwall: Case Studies

Masamichi Katayama, the founder and principal of the Japanese interior design and architecture firm Wonderwall, turned 50 earlier this year. To celebrate his achievements, amongst which are countless retail interiors in Japan and beyond, the german publisher Gestalten released a first comprehensive monograph on Katamaya’s work, Wonderwall: Case Studies ($69).

Alexander McQueen: Unseen

This hasn’t been the case with fashion designers until the 2010 suicide of Alexander McQueen. And while you couldn’t exactly sell his artwork at inflated prices, an entire post-mortem cultural industry sprang up around his legacy. This is a testament not so much to McQueen’s unquestionable genius, but to how much more central fashion has become to the contemporary cultural experience. (We did not see such an explosion of media after the murder of Gianni Versace, for example.)

Aitor Throup – Make It New

Yesterday the Dutch denim company G-Star RAW announced the appointment of one of our favorite conceptual designers Aitor Throup as its Executive Creative Director. The designer has been consulting for the company for some time now, presumably with enough success to warrant a full time upgrade. After initial eyebrow raising the appointment has come to make sense. While the G-Star aesthetic leaves much to be desired, it has exactly the kind of construction and fabric know-how that Throup might take advantage of in order to create something interesting outside of his previous conceptual flights of fancy, which have been both creatively mind-blowing and mind-blowingly unattainable. In any case, I am curious to see what will happen, and I would like to share with you our in-depth profile of Throup that I wrote for our print volume 4, in which Throup makes clear that he would be interested to translate his creative vision and formidable design skills into something more accessible.

StyleZeitgeist Magazine Holiday Gift Guide, Francis Bacon Catalogue Raisonne

Francis Bacon: Catalog Raisonné

If you are a fan of the Irish painter Francis Bacon, you are in for a serious joy ride (if such a term can be applied to Bacon’s work). Earlier this year his estate released a painstakingly researched and compiled Catalog Raisonné of his work. That’s right – every single Bacon painting known has been searched for, discovered, photographed, described and put into this five-volume cloth bound colossus, distributed in the US by D.A.P.

Op-Ed: The Return of Ugliness

This past summer a pretty girl in her twenties I know cut her shoulder-length dark hair to military grade shortness, which made her look decidedly less attractive. When I remarked on this to another friend, also in his twenties, he said without hesitation that unattractiveness has become a trend among his peers. You can also see it quite clearly in fashion, especially in the rise of brands as seemingly disparate as Hood by Air, Vetements, Gosha Rubchinskiy, and Gucci, and their calculated ugliness and awkwardness.

BORIS BIDJAN SABERI FRAGRANCE RELEASE

This month the Barcelona-based designer Boris Bidjan Saberi launched his first fragrance. Saberi is best knows for his intricately constructed leather jackets, and it was no surprise to learn that the fragrance is inspired by the smell of vegetable tanned leather. Saberi also wanted the fragrance to reflect the sensory imprint of his daily work routine, the scents of raw materials that surround him in his atelier that at the end of the day mix with the odors unique to his body. This is how Saberi thinks of his work; each product he produces inevitably contains a part of himself as a designer and artisan.