We speak with Peter Ettedgui of Misfits Entertainment, a co-producer of the new docu-series Kingdom of Dreams, out in the UK on Sky and coming to the US market soon. The 4-part documentary traces the rise of Bernard Arnault’s LVMH and François Pinault’s Kering on the backs of John Galliano, Alexander McQueen, Marc Jacobs, and…
For their new collaboration with Aesop on the brand’s Cambridge store, the English design duo JAMESPLUMB, who have already developed a reputation for using the most seemingly pedestrian materials to magical effect, used bulrush, the wild plant that typically grows on the banks of lakes and rivers. The plant grounds the two-room space both physically and metaphorically, an English answer to the Japanese concept of wabi-sabi, which has perhaps unfairly hogged the spotlight when it comes to matters of finding beauty in earthiness and the aging of organic matter. To that end, JAMESPLUMB commissioned Felicity Irons – one of the last English rush weavers – to create extra long shelves using bulrush. The plant was also used to inlay the display cabinets and the sinks.
We speak with the author W. David Marx about his new book “Status and Culture: How Our Desire for Social Rank Creates Taste, Identity, Art, Fashion, and Constant Change.”
It’s that time of the year again. Below is our 2022 holiday gift guide – these are the (unsponsored) things we genuinely love and we are happy to share them with you.
We would like to present to you the S/S 2023 collection of TAKAHIROMIYASHITATheSoloist, titled “GRAY.”
In this collection, inspired, again, by one of his heroes, Kurt Cobain, the cult Japanese designer Takahiro Miyashita continues his experiments in back-to-front and inside-out tailoring and gender neutral clothing, turning imperfection into an art form. The tromp-l’oeil effect of the first part of the collection is created by hand painting on medical gowns – after all, Cobain spent a lot of time in hospitals, and we can attest through an in-person experience that the back-to-front tailoring is gravity-defying in terms of design and continues to prove that Miyashita remains a decidedly singular talent in a sea of grayness that defines contemporary fashion.
After Belgian designer Ann Demeulemeester retired from fashion she kept busy, launching a collection of ceramic and glass tableware with Serax, a Belgian furnishings company. It debuted in 2019 to much critical acclaim. But Demeulemeester already had further creative ambitions. After all, for a universe-maker, which Demeulemeester certainly is, it made total sense to take…
Few things in life are better than getting another opportunity to buy something you’ve had but lost or regretted not buying at the time. Designer Sruli Recht is giving his audience that opportunity by reissuing some of the product highlights from his back catalogue. The project is called EDITIONS, and the first product is WHALET – originally called so because there was a version made from whale skin. In a mind-bending turn, which is Recht’s signature, the WHALET is made from a single piece of horse leather, laser cut, folded, heat-pressed and secured with black metal rivets, instead of the customary stitching. This release is limited to 25 units.
We would like to present to you UNDERCOVER Women’s Spring/Summer 2023 collection. Photo courtesy of UNDERCOVER Undercover SS23
We would like to present to you HYKE Spring Summer 2023 collection. Photo courtesy of Jun Okada (bNm)
Not too many people know that Yohji Yamamoto’s first lined was named Y’s. Through the decades, after his Parisian debut, Yohji Yamamoto used his full name for his runway lines, with Y’s becoming sort of an everyday classic Yohji uniform – white poplin, black gabardine, a bit less extreme, but still very Yohji. But before that moment, Y’s was Yohji. The line was born in 1972, and to celebrate its 50th anniversary, or rather to “look back upon 50 years of its history,” as per the press release, Yamamoto will be releasing a capsule t-shirt collection this fall.