Sruli Recht: Editions Heavy Metal

The Heavy Metal record stand is the latest release from Sruli Recht’s ongoing project, Editions. Structurally influenced by anti-tank defense obstacles, Recht alludes to the selective amnesia of a child and the healing power of the soul through music. The object, composed of laser cut steel folded using a hydraulic press then finished with acid and wax which delivers the gun black tone, stores approximately 150 LP’s.

StyleZeitgeist Podcast: Is This the End of the Hype Era? with Philippe Pourhashemi

On this hot-take episode with Philippe Pourhashemi we discuss the recent firings of Ludovic de Saint Sernin from Ann Demeulemeester and Rhuigi Villasenor from Bally and their implications. We speak about hype versus talent, what makes the right fit between a creative director and a brand, the relationship between management and creative, brand building and reputational risk, and much more.

StyleZeitgeist Podcast: On Karl Lagerfeld with Amy Odell

We reconnect with the journalist Amy Odell to discuss the problematic legacy of Karl Lagerfeld, the late designer of Chanel, and the new exhibit devoted to his work at the Metropolitan Museum of Art in New York. We try to answer one of the central questions of creativity – can you separate the art from the artist? – and dive into other aspects of Lagerfeld’s life and work.

StyleZeitgeist Podcast: All of Your Business with Lauren Sherman

Our guest is Lauren Sherman, former senior correspondent at the Business of Fashion, a top-notch reporter whose no-nonsense writing cuts through much of the industry noise. We discuss why fashion journalism used to be a much richer field, why honest reporting is beneficial to fashion, why it’s imperative for a brand to develop a core audience, why LVMH excels at retaining talent, why brick and mortar retail matters, and talk about her new and exciting role at Puck News.

StyleZeitgeist Podcast: Why Speaking Up Matters with James Scully

We speak with the casting director James Scully about his trajectory of working in fashion, from his days at the iconic New York boutique Charivari in the ‘80s to his days at Harper’s Bazaar and the changes he witnessed while being there, to becoming one of the best casting agents in the fashion industry; his whistle blowing on the rampant abuse of models and the changes it engendered. James’s is a brilliant story of working his way up in fashion through sheer love of it and his talent. It is also an important one because it provides a rare glimpse of what goes on under the hood of the fashion industry.